Possibly the painting noted in Rubens' posthumous inventory, Specification des peintures trouvee dans la maison mortuaire de Rubens, no. 122 (‘un pourtrait d'une Damoiselle ayant les mains l'une sur l'autre’)
M. Rooses, L’Œuvre de P. P. Rubens , vol. 4, Antwerp 1890, p. 298, no. 1103 (as Rubens, ‘entirely by the hand of the master’)
A. Rosenberg (ed.), P. P. Rubens: des Meisters Gemälde in 551 Abbildungen. Klassiker der Kunst in Gesamtausgaben 5, Leipzig/Stuttgart 1905, pp. 289, 479 (as Rubens)
G. Gluck, ‘Review of Klassiker der Kunst ed. Rosenberg’, in Kunstgeschichtliche Anzeigen, II, 1905, pp. 60–61, no. 289 (from a photograph, as doubtful)
E. Verhaeren, Rubens, Leipzig 1913, p. 81, no. 55 (as Rubens)
R. Oldenbourg (ed.), P. P. Rubens, Des Meisters Gemälde. Klassiker der Kunst., 4th ed., Stuttgart 1921, p. 453 (from a photograph, as a presumed copy after a putative lost original)
G. Glück, Rubens, Van Dyck und ihr Kreis, Vienna 1933, p. 164
To be included in the fortchcoming volume of the Corpus Rubenianum Ludwig Burchard: H. Vlieghe in K. Van der Stighelen, Portraits. III. Unidentified Sitters, expected early 2021 (See discussion below, underneath fig. 4)