H. Walpole and J. Reynolds, Catalogue of the Pictures at Nuneham, 1806;. J. Britton, The Beauties of England and Wales 1801-1818, vol 12, part II written by J.N. Brewer in 1813, p.275, 'A moonlight landscape, with a waggon in danger of overturning, by Rubens. The moonlight tints finely various, and the repose of the moon, as reflected in the water, admirable';. J.P. Neale, Views of the Seats of Nobelmen and Gentlemen in England, Wales, Scotland and Ireland, 1820, vol. III, from 'A List of the Pictures at Nuneham Courtenay' (as Rubens 'A Moonlight Landscape');. G.F. Waagen, Galleries and Cabinets of Art in Great Britain, 1857, Supplement, p. 349;. E.W. Harcourt (ed.), The Harcourt Papers, 13 vols 1880-1905, vol. III, Oxford 1880, p. 230, cat. no. 4;. M. Rooses, L'Oeuvre de P.P. Rubens, 1890, vol. IV, cat. no. 1179, p. 370;. A. Somof, Catalogue de la Galerie des Tableaux, Ermitage Imperial, 1901, under cat. no. 594, pp.371-372 (as a 'répétion' of Rubens);. A. Graves, A Century of Loan Exhibitions 1813-1912, 1913-15,vol III, p.1163 (as 'a landscape' owned by G. Vernon Harcourt);. J. Burckhardt, Die Landschaften von Peter Paul Rubens, 1940, under cat. no. 7, p. 24 (as 'repliken');. W. Adler, Landscapes and Hunting Scenes in the 'Corpus Rubenianum', part XVIII, 1982, vol. I, under cat. no. 19(1) as a copy (whereabouts unknown) after the painting in the Hermitage Museum, Leningrad (inv. no. 480).